提示词库
可灵 4.0 提示词，每条附生成的视频。
每条提示词都原样摘自模型厂商的指南或创作者的帖子，旁边是它生成的成品。点开卡片看全文。
可灵 4.0 是快手的视频模型，原生生成立体声。单次生成 3 到 30 秒，默认 10 秒，分辨率 720p、1080p 或 4K，画幅 21:9、16:9、1:1 或 9:16。默认的全能参考模式每次最多 15 份素材：10 张图、总长不超过 30 秒的 5 段视频、7 个主体和 3 个音色。另有最多 10 帧的关键帧模式，以及最多 5 段的视频编辑。对白支持九种语言，包括中文、英文、日文、韩文和西班牙文。下面的提示词有可灵 4.0 官方使用指南里的示例，也有创作者在 X 上分享的，每条附成片。
可灵 4.0 与 Seedance 2.5 提示词对比：628 条实测 →
更新于 2026-10-31 · 共 37 条，最新的在前
其他模型页：GPT Image 2.6 · Nano Banana 2.1 · Seedance 2.5 · MiniMax H3 · 万相 3.0
蓬松云朵小生物在卧室里打喷嚏洒下雨滴
红色甲壳虫载着三位女巫穿过雨夜街道
兜帽英雄冲向怪物大军
阳光森林公路上行驶的起亚Seltos
黑帮头目在昏暗酒馆质问手下
丈夫在厨房餐桌前坦白被解雇
雨天咖啡馆里两人低声交谈
孤身骑士守住古堡城门
公园里狗把球叼给了另一位朋友
背包客被美洲豹追逐跳入瀑布池
早午餐手机视频，妹妹偷吃一口松饼
以假乱真的 5v5 战术射击游戏实录
香水瓶冲上环形坡道再喷射升空
铁匠把铁块打成巨剑，从首帧到尾帧
照一支汽车短片的运镜，换成自己的车和背景
毛毡黏土森林课堂，云朵老师教数 1 到 4
黏土宇航狗追巴士大的奶酪老鼠，照分镜稿拍
巨龙从山巅起飞火烧海港城，30 秒六个镜头
改视频：雪地里的柯基变成方块像素柯基
改视频：整段转成毛毡风格
改视频：箱子里加一只睡着的猪，顺便改最后一句台词
改视频：给走出便利店的三个人换演员
改视频：去掉前景里的人
改视频：把主体换成图里的
改视频：整个场景和角色换成一张图里的
借一段打斗的动作编排，换成自己的角色
女孩在房间里吹竖笛，六张关键帧
西班牙游客和中国店员之间的翻译
十七世纪民兵列队出发，最后定格成名画
月亮那么大的莲花，白衣女子遥望
照拍一段悬崖跳伞特技，坐骑换成办公椅
低机位一镜跟拍滑手跳台阶
用一张角色设定图做七个镜头的滑雪片
飞车追逐后撕掉外衣，直接走进晚宴
二十秒横向跟拍，女人拖着大包在街上逃
在车里录视频吐槽：朝陌生人挥手认错了人
没有匹配的条目，换个短一点的词试试。
值得照着改的 可灵 4.0 提示词
本页每个分类里点赞最多的一条，全文贴出，并说明它为什么好用。复制一条，换掉主体就能用。
早午餐手机视频，妹妹偷吃一口松饼
30 秒一镜到底，像没剪过的手机视频：自动曝光忽明忽暗，9 秒时服务员碰到桌子，画外有对白和咖啡馆噪音。
Raw vertical 9:16 video recorded on a phone's front camera (not on screen), one continuous 30-second take with no cuts. It looks like an ordinary unedited phone clip, not a film: slightly soft image, a little digital noise and compression, deep focus with the café behind her as sharp as her face, auto-exposure brightening and dimming as people pass the sunny window behind her, no colour grading. The phone sits close and a little low, looking slightly up at her; around 9 s a waiter's arm bumps the table, the phone slides and tilts, and she catches it and props it back up. Sadie, a young woman in her early 20s with long honey-blonde waves, light natural makeup, small gold hoop earrings and a cropped cream knit top, sits at a small marble table by a big sunny window in a busy brunch café. Her sister sits across from her, out of frame except for her arm and a hand with a silver ring. Behind Sadie: other tables of people talking, a counter with a glass pastry case, plants, staff moving about, chalkboards too far away to read. Around 9 s a waiter sets down two plates, a lemon ricotta pancakes and a plate of eggs on toast, plus two iced coffees in plain glasses. Around 15 s she turns the pancake plate toward the camera; around 20 s she cuts a bite, eats it and closes her eyes; around 26 s her sister's hand reaches in with a fork and steals a piece of pancake, and Sadie swats at it, laughing. [Sadie: casual young woman's voice, warm and a bit giggly, recorded on the phone's built-in mic from half a metre away]: "Okay, I promised I'd show you what we get. ... We get the same thing every single time. ... Oh, here it is! Thank you! ... Look at this. Lemon ricotta pancakes. ... Mmm. Okay. Yeah. Still the best. ... Hey! Get your own!" [Her sister, off camera: a young woman's voice, dry and amused]: "That's the tax." [Sadie, laughing]: "She does this every time." Audio as captured by the phone mic in a busy café, not studio clean: her voice close but with the room around it, the hiss and grind of an espresso machine, cups and cutlery clinking, overlapping chatter and laughter from other tables, a door bell jingling, a chair scraping, faint music in the background. No subtitles, no captions, no on-screen text. 浴室里用水化武器对战六名打手
两张参考图分别锁定主角身份和敌人造型，并用每5秒一段的节拍表安排动作顺序。连续性部分列出必须保持不变的内容，并规定水武器始终保持液态。
Ultra-photorealistic Hollywood dark-fantasy action, ARRI Alexa 65 aesthetic.
HERO: Use
@image1
as exact female identity reference. Preserve face, hair and physique. Secure white towel throughout.
ENEMIES: Exactly six aggressive katana-wielding thugs based on
@image2
.
LOCATION: Luxury marble bathroom, glass shower and bathtub filled with water and rose petals.
ACTION:
0–5s: Six thugs storm in simultaneously. Hero dodges multiple sword attacks, ducks and pivots beside the bathtub. Japanese battle shouts.
5–10s: Hero performs a backbend, spinning kick and elbow strike. Bathtub water rises and follows her movements.
10–15s: Two enemies attack together. Hero briefly dissolves into shadow and reappears nearby. Their swords miss and they collide. Hero counterattacks.
15–20s: Water spirals around Hero's arm, forming a flowing liquid Indonesian golok silhouette. Never solid. She repels one attacker and sends another through the glass shower. Realistic splashes and shattered glass.
20–25s: Remaining thugs attack together. Hero performs a wall-assisted jump, three-hit aerial combination and throws an attacker into bathroom fixtures.
25–30s: An injured thug activates a red communication device: 「標的を確認した。」
Indonesian subtitle: Target terkonfirmasi.
Hero freezes airborne water and petals, turns toward him and says: 「相手を間違えたな。」
Indonesian subtitle: Kalian salah memilih lawan.
Heavy footsteps approach. Hero turns toward the entrance. End mid-action.
VISUAL & AUDIO: Dynamic tracking, continuous realistic combat, expressive reactions, synchronized Japanese dialogue, sword impacts, glass breaking and water sounds.
CONTINUITY: One Hero, exactly six enemies. Preserve identity, towel, weapons and bathroom layout. Bathtub water decreases during manipulation. Hydro Cleaver remains liquid. No extra characters, duplicated bodies, solid water weapons, robotic movements, pauses, victory pose or fade-out. 蓬松云朵小生物在卧室里打喷嚏洒下雨滴
按时间段分场景写动作，并明确要求全程保持同一只生物和同一位女性，使 30 秒内角色稳定。用柔和体积光、真实蓬松云朵质感等描述锁定写实画风，并加入无字幕无水印的约束让画面干净。
How am I supposed to move on after seeing this AI creature
Made with Kling 4.0
Prompt : Create a 30-second ultra-realistic cinematic fantasy video featuring a completely original miniature cloud creature in a charming countryside bedroom.
Scene 1 (0–7 seconds): A tiny floating cloud creature with fluffy white fur, pale blue eyes, tiny dangling feet, and miniature translucent wings drifts above a wooden bedside table. Soft morning sunlight enters through linen curtains while dust particles shimmer in the air.
Scene 2 (7–14 seconds): A young woman wearing a peach-colored cardigan and a cream skirt enters the room. The little cloud follows her curiously, hovering above her head. Suddenly, it sneezes and releases a tiny shower of sparkling raindrops onto her hair.
Scene 3 (14–23 seconds): The woman looks surprised before smiling and holding out her hands. The cloud becomes excited and accidentally creates a miniature rainbow inside the room. Tiny floating droplets turn into glowing bubbles that gently drift around the furniture.
Scene 4 (23–30 seconds): The cloud settles onto the woman's head like a fluffy hat. It produces one final tiny raindrop that lands on its own nose. The creature crosses its eyes trying to look at the drop, then giggles silently as a miniature rainbow appears above it.
Visual style: Original imaginary creature, realistic fluffy cloud texture, expressive blue eyes, physically believable water droplets, soft volumetric sunlight, realistic reflections, pastel color palette, detailed fabric textures, cinematic close-ups, natural character animation, smooth camera movements.
Duration: 30 seconds. Aspect ratio: 16:9. 4K cinematic quality. Preserve the same creature and woman across all scenes. No text, subtitles, logos, or watermark. Use original designs only. 红色甲壳虫载着三位女巫穿过雨夜街道
全片十一个分镜，每个镜头同时写出画面和音效提示，并用三张参考图锁定每位女巫的造型，跨镜头保持一致。风格描述写明赛璐璐上色、黑色墨线和胶片颗粒，使整段保持同一种复古动画质感。
A 30-second, 16:9 animated short in retro 80s/90s hand-drawn cel anime style, with bold black ink outlines, flat cel shading, soft gradient skies and subtle film grain. The palette is twilight blues and purples against warm amber window glow, with red and orange accents. The setting is a rain-slick old-town street at night with glowing street lamps. The mood is dark-comic and mischievous. Camera moves are smooth and cinematic, and the cuts are fast.
CHARACTERS (keep consistent in every shot, using the reference images)
Blonde witch (Image 3): platinum-blonde hair with bangs, blue eyes, round tinted glasses, a cream and gold satin dress. Her voice is cool, breathy and sarcastic.
Redhead witch (Image 1): wavy copper hair, freckles, green eyes, a green fur-trimmed coat. Her voice is low and scheming, with a wicked laugh.
Black-haired witch, the driver (Image 2): long black hair with blunt bangs, violet eyes, red lips, a silver choker, a black lace outfit. Her voice is husky and playful.
AUDIO
Music is a jazzy, mischievous retro score with upright bass, muted trumpet and vibraphone. It turns into a tense chase with drums and strings, then a soaring magical orchestral theme in the flight, and settles into a warm acoustic guitar and music box melody at the cabin. Ambience includes light rain, tires on wet cobblestone, crackling torches, wind and crickets. Dialogue is short and natural, with no narrator.
SHOT 1: The ride. Wide side view of a red vintage Beetle gliding down a wet night street. Cut inside to the three witches: the blonde adjusts her glasses, the redhead sits in the middle, the driver grips the wheel.
Audio: jazz groove fades in, rain and tire hiss. The blonde sighs, “Such a dull evening.”
SHOT 2: The spell. Through the windshield, a couple kisses under a lamppost. Close-up of the redhead’s envious glare as she flicks her fingers and pink magic sparkles swirl.
Audio: the music drops to a low string drone, then a harp glissando. She mutters, “Hmph... how sweet.”
SHOT 3: The pig prank. The woman’s head turns into a pig’s head and she screams while the man recoils. Cut back to the car, where all three witches burst into laughter.
Audio: a cartoon “pop,” a squeal, then a comic trombone slide and their wicked cackling. The man gasps, “What?!”
SHOT 4: The old lady. The Beetle stops at a crosswalk as an old woman with a basket crosses. Close-up of her smiling and tipping her scarf, then the driver leans out the window and sticks her tongue out.
Audio: a warm clarinet phrase and a cheeky slide whistle. The old woman says, “Bless you, girls!”
SHOT 5: The queue. Wide shot of the car parked outside a glowing grocery shop with a long line of people. The three witches strut past the crowd, heads high, and stand shoulder to shoulder in a low-angle shot.
Audio: a swaggering bassline with heel clicks and the crowd murmuring. The redhead says smoothly, “Excuse us.”
SHOT 6: The closed shop. Through the shop window, shelves of grocery bags glow warm while the crowd stares. Close-up of the door sign reading “CLOSED.” The witches then stand smiling with arms full of overflowing grocery bags.
Audio: a timpani hit as the sign swings, then a smug, triumphant jingle. The blonde purrs, “Fresh. Perfect.”
SHOT 7: The mob. An angry mob with torches and pitchforks charges down the street. The witches glance sideways, then run, the redhead wrapped in a glowing green magic aura.
Audio: the music cuts to a fast chase with war drums and stomping boots. The mob shouts, “Get them!” The redhead calls out, “Hold on to your bags!”
SHOT 8: Lift-off. The witches leap onto straw brooms in a burst of green sparks and rise above the shouting crowd.
Audio: a bright “whoomph,” a powerful whoosh, and the orchestra swelling into the flight theme.
SHOT 9: The flight. Aerial wide shot of the three witches flying over the glowing town toward purple mountains at dusk, ending on tiny silhouettes against the sky.
Audio: full orchestra with harp and choir pads, wind rushing, and the witches laughing with joy.
SHOT 10: The cabin. They land by a stone cabin and picnic table at golden sunset. The driver pours tea from a white teapot and the blonde sips with her eyes closed. Close-up of all three clinking their teacups together, and their eyes flash golden through their glasses.
Audio: the acoustic guitar theme enters with crickets, a pouring sound and a porcelain clink. They say together, “Cheers.”
SHOT 11: Final shot. Wide shot of the lone cabin on a hilltop as dusk turns into a starry night, then fade to black.
Audio: the music box melody slows and ends on a single chime as the sound fades out with the picture.
NEGATIVE PROMPT
Photorealism, 3D render, extra fingers, distorted faces, inconsistent hair or outfit colors, any non-English text or speech, watermark, blur, low quality, harsh audio, lip-sync errors, narrator voice-over. 香水瓶冲上环形坡道再喷射升空
把产品广告拍成特技表演，两秒一拍，瓶子不带标签和品牌。
Cinematic, photoreal night scene on a black stage inside a giant hangar. A towering concrete loop ramp/road with glowing red edge lights and a white center stripe dominates the background. In front of it stands a premium transparent glass perfume bottle, unlabeled, no logo, filled with pale golden fragrance, featuring elegant beveled edges, a polished metallic cap, realistic glass refraction, crisp reflections, and subtle condensation droplets. The bottle engages four small rocket nozzles under its base; soft white exhaust with bright orange cores appears. The bottle glides forward, then blasts up the glowing ramp, hugging the curve, leaving faint light trails and red neon reflections across its glass surface. At the apex it shoots off the ramp and transitions to a sleek electric-thruster flight, like a futuristic luxury flying car, then ends in a close hero shot of the perfume bottle hovering and roaring upward vertically with four bright jets, volumetric spotlights and fog below, sparks and vapor interaction, dramatic rim light, golden highlights, crisp reflections, shallow depth of field, 4K, high-end luxury perfume and car commercial look. No text, no brand, no label. Duration 9–10 seconds. Aspect ratio 9:16. Negative cues: no logos, no text, no labels, no hands, no spillage, no deformation, no duplicate bottles, no cartoon look, no melting glass, no detached cap, no liquid leakage, no extreme motion-blur smears. Beat sheet (timing guide) 0–2s: Low-angle push-in on the massive loop ramp; perfume bottle centered, engines arming beneath the base with subtle heat shimmer and glowing orange cores. 2–6s: Dynamic follow-cam as the bottle rockets up the ramp; speed ramping, neon edge lights streaking, dramatic red reflections sliding across the glass. 6–8s: Bottle leaves the ramp, switches to electric thrusters; quick cinematic orbit as it hovers midair, revealing the golden fragrance and metallic cap. 8–10s: Tight hero shot of the perfume bottle ascending vertically with four bright jets, swirling fog, volumetric spotlights, realistic vapor, and luxurious golden reflections. End with the bottle sharply focused and centered against the dark hangar. 黑帮头目在昏暗酒馆质问手下
用编号分镜加每镜头的视场角和画面方向，并写明精确字幕，让 Kling 在11次切镜中保持同一场景。固定人数和座位规则，再把每句台词对应到具体镜头，能让角色稳定、对白节奏清楚。
SCENE CONTEXT
EXACTLY 4 HUMAN CHARACTERS — NO DUPLICATES, NO EXTRAS: the boss, the courier and two silent bodyguards, all Mexican. Interior, the back room of a closed cantina in Guadalajara, Mexico, late at night. A courier nicknamed Flaco reports to his boss that the merchandise is gone: a rival family, the Mendozas, ambushed his team on the highway to Tepic and took the whole load. The boss starts completely calm while he eats; the tension rises with every line; he explodes, then drops to a cold, lethal whisper. Crime drama, real time. Only the boss and the courier speak.
CHARACTERS
ERNESTO (the boss): heavyset Mexican man, slicked-back grey hair, thick grey moustache, a thin old scar cutting through his left eyebrow, heavy-lidded eyes. Black button-up shirt with subtle dark embroidery on the yoke, sleeves rolled to the forearm, a small sauce stain on the cuff, a thick gold chain at the neck. A worn gold signet ring on his right hand. 178 cm.
FLACO (the courier): very thin, wiry Mexican man, short black hair neatly cut, thin moustache, a small fresh bruise on his left cheekbone, a faded tattoo of a small cross on the back of his right hand. Clean, pressed white short-sleeved shirt, dark jeans, worn brown leather boots, a gold wristwatch with a freshly cracked face. He looks put-together, but his nerves betray him. 182 cm.
THE BODYGUARDS: two broad, silent men in plain dark short-sleeved shirts, one with a shaved head and a thick black beard, the other with a grey buzz cut and a crooked nose. They stand against the back wall in the half-dark, arms crossed, never speaking.
LOCATION MAP
A small square table with a worn green oilcloth sits at the center under a single hanging lamp, with a slow ceiling fan above it. Ernesto sits on the right side of the table (screen-right), facing left, with a plate of carne asada, a stack of warm corn tortillas in a cloth, a small clay bowl of salsa, a fork and a full shot glass of tequila. A box of dominoes rests at the edge of the table. An empty wooden chair waits on the left side of the table (screen-left). The two bodyguards stand against the back wall behind the table, one at the left third and one at the right third of the frame, partly in shadow. In the dark background: stacked beer crates without labels, a closed swinging kitchen door, a wall of painted talavera tiles, an old calendar, closed window blinds. The eyeline axis runs left–right across the table; the camera always stays on the same side of it.
FORMAT
One scene, 11 shots joined by clean hard cuts, classic shot–reverse-shot coverage. Cuts follow the dialogue and also land on the listener's reaction. The framing gets tighter and the silences longer as the tension rises, until the explosion in Shot 9. No fades, no dissolves, no split screens.
SHOTS
Shot 1 — Wide shot, locked-off, from the far corner of the room, 63° FOV. Ernesto eats in the pool of light while the ceiling fan turns slowly above him; the two bodyguards stand motionless against the back wall. Flaco walks in from screen-left and stops beside the empty chair, standing, hands at his sides. He does not sit. Ernesto keeps eating and ignores him.
Shot 2 — Medium close-up on Ernesto, 47° FOV, eye level, static. He tears a tortilla, keeps chewing, eyes on his plate. Without looking up, he points his fork at the empty chair. Relaxed, unhurried: "Siéntate, Flaco."
Shot 3 — Medium shot on Flaco, 47° FOV, static. Only now does Flaco pull out the chair and sit down slowly, on the front edge of the seat, back straight, hands resting stiffly on his knees.
Shot 4 — Medium close-up on Ernesto, 47° FOV, static. Still eating, still not looking at him. Casual, almost friendly, mouth half full: "¿Y? ¿Cómo salió lo de Tepic?"
Shot 5 — Reverse: medium close-up on Flaco over Ernesto's out-of-focus right shoulder, 47° FOV; one bodyguard is visible out of focus in the background. Flaco rubs his palms slowly along his thighs, swallows, his eyes flick from the plate to Ernesto's face. Fast and nervous, words tumbling out: "Los Mendoza nos cayeron en la carretera, patrón. Tres camionetas. Se llevaron la mercancía. Toda."
Shot 6 — Close-up on Ernesto, 29° FOV, static. His chewing slows… and stops. A long silence. For the first time he lifts his eyes to Flaco. No expression at all. Flat, quiet, slowly, as a statement: "Toda."
Shot 7 — Reverse close-up on Flaco, 29° FOV, handheld with an extremely subtle breath-like float. He cannot hold Ernesto's gaze; his eyes drop, then come back. His jaw tightens, his breathing becomes shallow, his fingers grip his knees. Voice cracking, pleading: "Nos agarraron por sorpresa. No pude hacer nada, patrón. Se lo juro."
Shot 8 — Extreme close-up insert on the table, 29° FOV, static. Ernesto sets his fork down beside the plate with a soft click. His hand rests flat on the oilcloth; his fingers slowly curl into a fist. Silence; only the creak of the ceiling fan.
Shot 9 — Medium shot on Ernesto, 47° FOV, handheld, the camera jolting once with the impact. He slams his open palm onto the table; the shot glass jumps and spills a little tequila, the dominoes box rattles. He leans over the table toward Flaco, veins visible on his neck, face red, shouting hard: "¡La quiero de vuelta! ¡Haz lo que tengas que hacer!" Behind him, both bodyguards uncross their arms and take one step forward.
Shot 10 — Close-up on Ernesto, 29° FOV, slow push-in ending on his eyes. Still leaning in, his breathing heavy, his face half in shadow under the lamp. His voice suddenly drops to a cold, quiet whisper, each word deliberate: "O no vuelves a ver salir el sol."
Shot 11 — Two-shot in profile across the table, 47° FOV, slow lateral drift of less than half a meter to the right, ending with both faces and the table between them in frame, the bodyguards out of focus behind. Ernesto slowly sits back, smooths his shirt, picks up the shot glass and drinks the tequila in one swallow. Flaco stays frozen in his chair, breathing hard, staring at him. Hold in silence.
CHARACTER ACTING
Naturalistic film acting with a steady, rising tension. Ernesto: total, unhurried calm in Shots 1–4 (he ignores Flaco, eats, never looks at him); the first eye contact in Shot 6 is the turning point; quiet tension in Shot 8; a sudden, real explosion of rage in Shot 9 (jaw clenched, eyes wide, neck tendons tight); then an instant return to icy control in Shot 10, which is the most frightening moment. Flaco: tension held inside the body — stiff posture, hands on his knees, rubbing his thighs, swallowing, quick eye movements, shallow breathing; he flinches back in his chair at the slam. His skin stays dry. The bodyguards stay expressionless and silent throughout. Faces show living micro-expressions and natural irregular blinks.
LIGHTING
One warm 3000K hanging lamp over the table is the key source: hard top light, fast falloff, deep shadows filling the room, eye sockets partly in shadow; the bodyguards are mostly in shadow, lit only on their shoulders and the edges of their faces. The slowly turning ceiling fan above the lamp casts soft rhythmic shadows across the table and faces; the lamp swings slightly after the slam in Shot 9. A faint red neon glow from the cantina sign outside leaks through the slats of the closed blinds in the background. Light color stays identical after every cut.
AUDIO
All dialogue in natural, clear Mexican Spanish with an authentic Mexican accent and intonation. Ernesto: deep voice, casual and slow at first, flat and quiet, then a loud raw shout in Shot 9, then a cold whisper in Shot 10. Flaco: tense tenor voice, fast and breathy, cracking when he pleads. The bodyguards never speak. Each speaker has a distinct voice. Only one person speaks at a time, no interruptions or overlapping, natural pauses between lines. Lip movements synchronized with the Spanish dialogue. Ambience: creaking ceiling fan, distant refrigerator hum, faint street traffic and a dog barking far away outside, fork against the plate, chewing, the chair scraping on the floor tiles in Shot 3, Flaco's breathing, a heavy palm slam on the table, the shot glass knocking on the wood. Ambience stays below the dialogue. No background music.
SUBTITLES
Burned-in English subtitles, bottom-center inside the title-safe area, positioned 8% above the bottom edge of the frame. White sans-serif text with a thin black outline, maximum two lines, stable position and size in every shot. Each subtitle appears and disappears exactly in sync with its spoken line:
Shot 2: "Sit down, Flaco."
Shot 4: "So? How did the Tepic job go?"
Shot 5: "The Mendozas hit us on the highway, boss. Three trucks. They took the merchandise. All of it."
Shot 6: "All of it."
Shot 7: "They caught us by surprise. I couldn't do anything, boss. I swear."
Shot 9: "I want it back! Do whatever you have to do!"
Shot 10: "Or you'll never see the sun rise again."
Subtitle spelling must match exactly. No other text on screen.
STYLE
Gritty Mexican crime drama. 35mm film texture with organic grain, light haze in the air, shallow depth of field, crushed blacks, soft halation around the lamp, no digital sharpening. Palette: 55% deep black and shadow, 30% warm amber and worn green, 15% red neon accent.
POSITIVE CONSTRAINTS
Exactly four people for the entire scene: Ernesto, Flaco and two bodyguards. Same faces, hair, clothing, bruise, gold chain, watch and signet ring in every shot. Ernesto always screen-right looking left; Flaco always screen-left looking right; the bodyguards always against the back wall. Flaco stands in Shots 1 and 2 and sits down only in Shot 3, after Ernesto tells him to; from Shot 3 onward he stays seated. Exactly 7 spoken lines: 5 by Ernesto, 2 by Flaco. Ernesto stays seated; the bodyguards take only one step forward in Shot 9. Hands and fingers anatomically correct. Faces stable. The scene ends in silence with Ernesto drinking his tequila and Flaco frozen. 这个模型的提示词怎么写
每份素材打上标签，只给一个用途
可灵按上传顺序给素材编号，比如 @Image1、@Video1，并要求写明每份的用途，比如 @Image1：保留人物外观；只写编号不写用途，结果就更难预料。官方指南 20 个示例里 65% 用了这种标签，创作者的提示词只有 6%。 来源：Kling 4.0 user guide · AgentCraft: Kling 4.0 vs Seedance 2.5 prompt data
分四段写：素材用途、整体设定、时间线、声音
指南给全能参考模式的结构是：先写素材用途，再写整体设定，然后是按时间排的事件，最后写声音。它的分时示例按 15 秒规划；X 上的创作者按 30 秒规划，中位数是六个时间段。 来源：Kling 4.0 user guide · AgentCraft: Kling 4.0 vs Seedance 2.5 prompts
改视频写 Edit，不写 Reference
开头写 Edit @Video1，接着写要改什么，最后加一句其余保持不变。指南提醒，写成 Reference @Video1 可能会以这段视频为参考重新生成，而不是修改它。它的 7 个改视频示例，中位长度 352 个字符，只有一行。 来源：Kling 4.0 user guide · AgentCraft: Kling 4.0 vs Seedance 2.5 prompt data
关键帧要写明首帧和尾帧
关键帧模式写成：用 @Image1 作为首帧，需要时再写 @Image2 作为尾帧，然后描述两帧之间发生什么。这个模式最多接受 10 张图，不接受其他参考素材。 来源：Kling 4.0 user guide
写明画面里一共几个人
指南有好几个示例在开头用一行场景说明把数量定死，比如恰好 1 条龙，不要重复。编辑以外的示例里 46% 这样写，创作者的提示词是 18%。 来源：Kling 4.0 user guide · AgentCraft: Kling 4.0 vs Seedance 2.5 prompts
反向要求少写
指南说真正需要的反向要求只有两条：不要字幕，不要背景音乐。做动画时，写明不要写实风格。创作者写得多得多：这页他们的提示词 94% 都有不要、避免或没有这类字样。 来源：Kling 4.0 user guide · AgentCraft: Kling 4.0 vs Seedance 2.5 prompts
要字幕就写清楚样式
确实需要屏幕文字时，指南要求写清字号、对齐方式、每句出现的时间，以及是否跟随对白。 来源：Kling 4.0 user guide
关于这个模型的常见问题
可灵 4.0 是什么？
快手的视频模型，可灵称它是新一代原生多模态视频创作模型。它能根据文字、图片、视频片段、主体和音色生成带立体声的视频，也能修改已有的视频。 来源：Kling 4.0 user guide
可灵 4.0 一段视频最长多久？
单次 3 到 30 秒，按 1 秒调整，默认 10 秒。可灵 4.0 Flash 是 3 到 20 秒，只有 720p。最长 2 分钟的视频续写标注为即将上线。 来源：Kling 4.0 user guide
可灵 4.0 最多能用多少参考素材？
全能参考模式每次最多 15 份：最多 10 张图（每张不超过 30 MB）、5 段 3 到 30 秒的视频（合计不超过 30 秒）、7 个主体（其中视频主体最多 3 个）和 3 个音色。 来源：Kling 4.0 user guide
人物能说哪些语言？
中文、英文、日文、韩文、西班牙文、葡萄牙文、德文、法文和印地文，还有四川话和粤语，以及英式、印度英语等口音。 来源：Kling 4.0 user guide
怎么用可灵 4.0 改视频？
上传最多 5 段视频，写 Edit @Video1 加上要改的地方，再加一句其余保持不变。别写 Reference @Video1，那样可能会以它为参考生成新视频。 来源：Kling 4.0 user guide
Seedance 2.5 的提示词能直接用在可灵 4.0 上吗？
可以当初稿。创作者两边写法一样，约 2,300 个字符，30 秒分六个时间段。要改的是素材标签写法，改视频写成一行，30 秒走样时试试 15 秒。 来源：AgentCraft: Kling 4.0 vs Seedance 2.5 prompts